There is a mass on LBC for some saint, and there is a choral playing the most horrible type of badly westernized melodies. Major and minor scales with little sharps and flats thrown in really awkward places. It is so ironic to think that a couple of decades ago you could still find traditional Maronite mass sung based on Arabic maqams. I loved the little part in Aramaic about the blessing of the bread and wine that was meditatively uttered in the maqam of Bayati. For those interested, in Arabic music there is no minor and major scales, intervals are much more subtle and based on smaller tonal changes.
You know how you can tell that Maronites were the most “Arabic” of all Christians in the Middle East? They were the only ones whose music was traditionally integrally faithful to Arabic musical modes. The only ones. And what a beautiful mass that was. Fortunately, you have good recordings of how it sounded. Not much different from any good Muslim inshaad or azaan. Alas, it does not exist anymore. The Maronite Church has completely altered the musical melodies/structure/lyrics (I don’t even want to talk about the new texts that are of such a bad taste), ‘westernizing’ the mood.
And rest assured, most of the songs composed by the “Islamic” artistic sphere among the Shi’a of Lebanon (and Iran) is following similar structures, although for totally different reasons. But will talk about that some other time.