Spectacles of Jadeed TV

safe_image.phpThe date of this event is not relevant anymore as it is just a template for similar recurring events in the land of the Lebanon. Crumbling under the weight of her make up the talkshow host of “للنشر” (for publication) bullied for about 20min a Syrian woman nursing a baby. The woman turned out to be a beggar who we are told fakes being handicapped in order to get money on the streets of Beirut. The contrast between these two women was striking. The beggar was dressed in rags holding her child whose skin was blackened by Beirut dusty and filthy streets while the TV host shined with her jewelry, her fancy clothes. The contrast went hand in hand with the domineering and judgmental attitude the TV hostess has as the discussion quickly turned into a general critique of the beggar’s way of life. At some point her child started crying and she said that she needed to breast feed him to which the hostess rushed to kick her out of the stage. This episode of the show was immediately followed by a series of ads about glittering jewelry!

After this consumerist interlude, the hostess welcomed with a radiant smile her next guest Miriyam Klink who related in great detail her intrepid misadventures with priests who allegedly “spanked her ass”. The conversation went more smoothly here. The two women looked alike with their plastic faces. Klink is a Lebanese pop singer who parades various parts of her body as she chants her tasteless songs. This is usually enough to get full media attention as Klink is invited for occasional moaning on all Lebanese TV channel talkshows. Unlike the first part of the show, pseudo-journalist here is talking to her alter ego, her partner in the industry of media spectacle. The judgmental tone is replaced by an “échange de politesses” hiding a nonverbal imploration, a “please tell me how did I succeed in the business of female empowerment the Lebanese (plastic voyeuristic) way”. And Klink seem right out of her latest surgery as her face showed less and less expressiveness that could translate any possible emotions left by the priest’s misdeeds.

This in a nutshell is Lebanese TV, ongoing social class affirmation – in this case one aspect of it which is women “emancipation” – paraded as spectacle in order to extract a profit.

Illusions of Terrorism and Democracy

XU*5034480The recent bombings in Beirut elevates Lebanon to the ironic status of a democratic country, in the modern Western sense of the term. Sadly, this is no privilege at all, more of a burden really. As I argued earlier, Terrorism as a particular form of carrying out political action is only possible if certain democratic structures are part of society’s general culture. Terrorism targets the feelings of civilians because the latter can, through this particular human disposition, extract concessions from political elites.

After 2005, most assassinations in Lebanon involve a mix of vendetta types of violence that target political actors and this “democratic” form of politics. Vendetta types of violence do not necessarily target the feelings or views of a specific group of people, only political actors. Terrorism though does and is peculiar to the modern age. There is no terrorism without some form of democratic politics as understood through liberal ideals of representations (such as individualism, freedom of choice, mass consumption economy, etc.) and the political setting of the Nation-State. Wherever there were terrorist attacks in the non-Western world, it is noticeable that they always involved a political message either to foreign countries (say attacking touristic sites, nightclubs), or local political regimes that are democratic in the sense that the “feelings” of their societies can have a direct bearing on the political process.

Yet even though nowhere before have we been faced with the immediacy of distant death, nowhere before have we been so distant to killings that are incurred by people who are trying to send a message to us. In effect, terrorism targeting civilians is not targeting the people who were actually killed but potentially any people that are part of a political delineated community (here the Shi’i community but also the Lebanese, and so on). Terrorism in this sense is one of these rare instances where violence is used on a person or group who is not the real target.

To come to the recent suicide explosion in Dahyeh, I’m not here analyzing the political message sent to the elite (Hizbullah’s political party, or whoever is incurring such attacks) or to the constituency of a political movement or organization. I’m more interested in what people actually do about it. Although people can be “terrorized” by what is happening they seem helpless as to what to do about it. Can they really force political actors to change their course of actions?

Then, Terrorism is doomed because on the one hand it assumes that the feelings that civilians have, fueled by media strategies, are going to influence political elites to do something about it, and on the other hand, it assumes that civilians feelings are in themselves a motive of political change. Raw emotions do not create interesting change at the political level. Only does reason. And it is reason that is the stuff from which political decisions are made.

This is why terrorism is a victim of the media effect, and democracies or ideals of democracies are experienced as a spectacle in today’s societies. In our modern political systems that are animated by the technological and media industry, “feelings” and “emotions” understood in a raw sense are the primary human traits that is meant to dictate political action. This is why terrorism exist. In the absence of such human predisposition, terrorism would not be a viable weapon.

Here lies one of the contradictions of the culture of democracies and how they are the source of  their own misery. Democracies as they function today involve a politics of emotions that traditionally was never linked to politics as such. It does not mean that traditionally, feelings where not getting in the way of correct handling of political matter, far from it. War practices always involved forms of cruelties that surely were triggered by specific types of emotions and feelings and in turn triggered these types of feelings. But never, were feelings used in a way were curtailed by higher forms of politics that ordered the way agreements were reached, successions were arranged, or war were started.

The uniting features of capitalism

“In principle, however, capitalism is an impeccably inclusive creed: it really doesn’t care who it exploits. It is admirably egalitarian in its readiness to do down just about anyone. It is prepared to rub shoulders with any old victim, however unappetizing. Most of the time, at least, it is eager to mix together as many diverse cultures as possible, so that it can peddle its commodities to them all.

In the generously humanistic spirit of the ancient poet, this system regards nothing human as alien to it. In its hunt for profit, it will travel any distance, endure any hardship, shack up with the most obnoxious of companions, suffer the most abominable humiliatinos, tolerate the most tasteless wallpaper and cheefully betray its next of kin. It is capitalism which is disinterested, not dons. When it comes to consumers who wear turbans and those who do not, those who sport flamboyant crimson waistcoats and those who wear nothing but a loincloth, it is sublimely even-handed. It has the scorn for hierarchies of a truculent adolescent, and the zeal to pick and mix of an American diner. It thrives on bursting bounds and slaying sacred cows. Its desire is unslakeble and its space infinite. Its law is the flouting of all limits, which makes law indistinguishable from criminailty. In its sublime ambition and extravagant transgressions, it makes its most shaggily anarchic critics look staid and suburban.” (Terry Eagleton, After Theory, p.19)